What drives someone to completely pivot their career, step away from the familiar, and turn a passionate creative outlet into a thriving full-time career?

In Episode 64 of the Photo Country podcast, host Rajeev Nedumaran sits down with Keerti Siag—a Sony Digital Imaging Advocate, educator, and multi-genre photographer based in Auckland, New Zealand. Recorded right on the sand at Waiake Beach in Torbay, their conversation dives into Keerti’s journey from teaching English literature in Punjab to capturing memories, teaching sold-out photography workshops, and building a creative community.

The Early Spark: Roots in Punjab

Keerti’s love for photography began long before she moved to New Zealand. Growing up in Punjab, India, her father—an ardent hobbyist photographer—always kept a camera around the house.

“I think back then when I was a young 11 or 12-year-old, I found photography to be that one source of freedom... Nature was part of it because I come from Punjab, where it’s all agricultural land. You see the sun rising in a field of wheat or cotton, and you just fall in love with that.”

Before taking up photography professionally, Keerti taught English literature, linguistics, and phonetics at the college level for nearly seven years. That background in education would later become a cornerstone of her success as a photography instructor.

The Leap: From Grocery Business to Full-Time Creative

Keerti and her partner emigrated from India to New Zealand in 2011, eventually settling in Torbay, Auckland, where they ran a local grocery store for five years. When they decided to sell the business, they spent six to seven months during the COVID pandemic traveling across New Zealand.

During those quiet months on the road, Keerti documented their journey, sharing her photos online. A friend noticed her talent and hired her to shoot for her business—Keerti’s first paid photography job. With the encouragement of her husband, she took the gamble and officially launched her career as a professional photographer.

Embracing Multi-Genre Photography

In an industry where creatives are frequently advised to find a narrow niche, Keerti chose a different path: embracing multiple genres. From landscape and family portraits to headshots and branding, she shoots across varied styles—steering clear only of empty real estate houses, which lack the human or emotional element she loves.

“Being a multi-genre photographer means that I love photography... painting with light, creating with light. I love nature, I love outdoors, I love hanging out with people... Why do we have to put ourselves into one of those boxes?”

Instead of limiting her scope, being a multi-genre creative allows Keerti to share a broader range of skills through her workshops and mentorship.

Art That Connects: Creating Prints with Emotion

One of the most rewarding aspects of Keerti’s work is seeing how photography connects deeply with people. Through her print sales, local residents frequently share how her images of local landscapes, such as Waiake Beach, evoke cherished memories of raising families and living in the community.

“Somebody said, ‘You live in our houses, in our living rooms through your art, and we love that.’ How beautiful is that—you are there, and somebody looks at it, thinks of their life, and at the same time thinks of the artist who created it?”

3 Key Takeaways for Aspiring Photographers

For anyone looking to get into photography—whether as a hobby or a profession—Keerti shares her core advice:

1. Build a Strong Support System: Surround yourself with family or friends who support your vision and give you the space and time needed to practice.

2. Engage with the Community: Connect with fellow photographers and mentors who are eager to uplift you and share knowledge freely.

3. Practice Relentlessly: There is no shortcut or substitute for consistent hands-on experience and continuous learning.

Listen to the Full Episode

Catch the full conversation with Keerti Siag on Episode 64 of Photo Country, hosted by Rajeev Nedumaran.

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What happens when a lifelong passion for photography transforms into a full-time profession through unexpected turns? In Episode 63 of the Photo Country Podcast, host Rajeev steps into new territory—recording his very first in-person, face-to-face studio podcast at Auckland's Photo Prints workshop with founder Gary Ashton.

Gary, who previously appeared on the podcast four years ago, shares his journey of transitioning from a 28-year career in shoe repair to managing a high-end fine art printing studio, along with technical advice on color calibration, paper stocks, and bird photography.

The Pivotal Shift: From Soles to Fine Art Prints

For nearly three decades, Gary Ashton operated a shoe repair shop in Ponsonby, Auckland. Photography was purely a passion project—a hobby enjoyed in his spare time. The idea of professional printing first sparkled when visiting family in Australia, where he learned the art of printing and matting photographs firsthand.

When the COVID-19 pandemic disrupted daily life and remote work drastically reduced demand for shoe repairs, Gary made a decisive pivot. Having already acquired wide-format printing equipment as a secondary business, he stepped into photo printing full-time, establishing Photo Prints.

“If you don't get a nice print and it looks wrong, then it puts you off doing it again. Using higher-end printers gets you a better result and makes you want to do it more often.” — Gary Ashton

The Craft of Accurate Printing & Color Calibration

A central topic of discussion was the challenge of converting vibrant digital monitor displays into high-quality physical prints. Many photographers view their work on backlit screens (such as MacBooks or standard monitors), which often make images appear overly bright and hyper-saturated.

To achieve true print fidelity, Gary emphasizes precise color calibration:

• Colour Profiling & RIP Software: Photo Prints utilizes Epson wide-format photographic printers integrated with Raster Image Processor (RIP) software. Papers are custom-profiled specifically to the printer and ink system.

• Monitor Profiling: Gary recommends hardware calibration tools (such as Spyder devices) used monthly to ensure that what photographers edit on screen mirrors real-world color output. For production work, high-end calibrated displays like Eizo monitors offer maximum precision.

• Fidelity to File: As a rule, Gary prints files directly as provided, highlighting the importance of proper editing workflows on calibrated systems at home.

Print Media & Techniques

• Luster vs. Matte: Semi-gloss/luster paper offers versatile durability, while fine art matte papers excel for rich black-and-white imagery.

• Cotton Rag Papers: High-end cotton rag options (such as Hahnemühle and Ilford) provide exceptional depth and archival quality for fine art photos.

• Dye-Sublimation on Metal: Gary is actively experimenting with printing onto aluminium sheets coated with polyester using high heat and pressure, producing vibrant, high-gloss display panels suitable for landscapes and sunrises.

Bird Photography & “Does Gear Matter?”

Beyond operating his workshop, Gary is an active photographer who enjoys landscapes, astrophotography (Milky Way), and particularly bird photography. When asked about his approach, Gary notes his preference for close-up detail shots over wide environmental framing.

On the question of whether gear matters:

• While fundamental photography concepts and composition come first, modern camera technology—specifically advanced autofocus tracking systems found in newer mirrorless models—dramatically increases the “keeper rate” when capturing fast-moving birds. However, understanding your equipment’s full potential remains essential.

The Value of the Printed Image

In an era dominated by smartphone displays and social media, both Rajeev and Gary reflect on the intrinsic value of physical prints. A print represents the tangible completion of the photographic process.

While buying prints for home decor is widespread in places like Europe, local markets often undervalue the cost and effort behind a fine art print. A single frame isn’t just paper and ink—it carries the photographer’s time, thousands of dollars in gear, hours of field work, and delicate editing effort.

Bucket List Destinations

Wrapping up the conversation, Gary shared his top photography bucket list destinations: capturing the Northern Lights in Iceland and embarking on a dedicated week-long landscape photography trip across New Zealand’s South Island.

 If you need to get a fine art print of your artwork, you know whom to call now! Checkout his site www.photoprints.co.nz for more information.

As always, thanks for sticking around for Photo Country. Truly appreciate every one of you who loves photography like I do. Do share this episode with a fellow photography enthusiast. Till the next one, stay safe and keep clicking.

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A Heart for Art: Dr. Howard Grill on Medicine, Abstract Photography, and Act Two

What happens when a lifetime spent inside operating rooms gives way to a canvas and a camera lens? On Episode 62 of the Photo Country Podcast, host Rajeev Nedumaran chats with Dr. Howard Grill, a retired interventional cardiologist based in Pittsburgh, Pennsylvania, who is currently living out a vibrant “Act Two”.

Howard’s connection to photography began in grade school darkrooms, where the chemistry of image-making sparked an early interest in science. Though medicine eventually took center stage, his passion for visual creation never faded. Today, Howard blends fine art photography with abstract painting, utilizing techniques like multiple exposures, alternative lenses, and Intentional Camera Movement (ICM) to turn everyday subjects into striking works of art.

The Healing Power of Creation

During the episode, Howard and Rajeev reflect on the therapeutic qualities of art. Howard notes that the physical and mental health benefits extend beyond the artist:

"There have actually been a number of studies looking at hospital patients with art in the room... people recovered faster, had less hospitalization, and experienced less postoperative pain than those without."

This connection between art and medicine inspired one of Howard's favorite projects: a hospital installation where he photographed patients and recorded audio stories detailing parts of their lives doctors rarely get to see—from a guard at the Nuremberg trials to a Korean War veteran.

Pushing Past Imposter Syndrome

Transitioning into abstract painting and sharing creative videos on social media wasn’t without its hesitation. Howard candidly discusses overcoming imposter syndrome—a feeling common among artists at any stage. His takeaway is straightforward: if you create something you love, there is bound to be someone else in the world who connects with it too, but they won’t see it unless you put it out there.

Whether you are looking to try in-camera multiple exposures or seeking inspiration for your own creative second act, this conversation offers an uplifting perspective on the intersection of medicine, art, and lifelong curiosity.

https://www.instagram.com/howardgrill/

www.howardgrill.com

 And that's a wrap for episode 62. I hope you enjoyed this episode. As always, thanks for sticking around for Photo Country. Truly appreciate every one of you who loves photography like I do. Do share this episode with a fellow photography enthusiast. Till the next one, stay safe and keep clicking. This is Rajeev signing off.

In this episode, Rajeev sits down with Vasuchandran, known online as "Snap Thrash." He brings one of the most eclectic backgrounds to the show, bridging the gap between Indian classical music, global heavy metal tours, independent forex trading, and a deeply-rooted passion for film photography. From his childhood roots in Kerala to capturing street frames in Japan and Austria, Vasuchandran shares his artistic philosophy on why the slow, deliberate process of analog film brings him a unique sense of value that digital simply cannot replicate.

Musical Heritage and Other Influences

Trained for over a decade as an Indian classical vocalist in Kerala, Vasuchandran details his unexpected, slow-burning transition into rock and heavy metal during his college years, ultimately leading to the creation of his thrash metal band, Amorphia.

From international classic rock and German metal bands like the Scorpions and Pantera (specifically guitarist Dimebag Darrell) to local Kerala legends Motherjane, he shares what drives his musical style.

Influenced early on by his father, a college principal who experimented with film cameras, Vasuchandran learned photography not from a rigid technical or compositional standpoint, but as an intuitive exploration of light, viewfinders, and angles.

Embracing the "Slow Process":

Unlike the instant gratification of digital cameras, Vasuchandran loves the delayed rewards of film. He explains how manual gear, calculating lighting via the Sunny 16 Rule, and waiting weeks for lab results forces him to truly understand the symbiotic relationship between lenses and light.

Vasu’s Gear & Analog Toolkit

• Yashica Electro 35 (1960s): An aperture-priority vintage camera he relies on strictly for intuitive street photography.

• Canon AE-1 (1980s): His go-to manual setup for landscapes and object photography.

• Favorite Film Stocks: Kodak Gold (200 ISO), Kodak Ultra Max (400 ISO), Kodak Ektachrome (Positive/Slide film), and Harman Red (Redscale film).

• Light Metering: Uses a combination of the physical camera, the Light Meter mobile app, and the Sunny 16 Rule.

"You're one of the most unusual, different guests that I've had so far... a very unusual background and it's super interesting to see someone like you really flourish." — Rajeev

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Embracing Curiosity: A Journey Through Sandra Cattaneo Adorno's Artistic Experimentations

In our latest episode of Photo Country, we had the pleasure of hosting Sandra Cattaneo Adorno, the Brazilian photographer and artist whose experimental approach to photography is both inspiring and captivating. Sandra's story is a testament to art's boundless possibilities and the joy of curiosity.

A Creative Evolution

Sandra's journey into the world of photography began later in life, not as a career but as an exploration and a source of happiness. Without formal training, she embraced the freedom to experiment, not burdened by pressure to earn a living through her art. This freedom allowed her creativity to flourish, leading to a style that is vivid in its abstraction and compelling in its simplicity.

Innovative Approaches to Photography

Sandra is renowned for her innovative techniques, particularly her work with metallic inks and contrasting colors, which she showcased in her latest exhibition, "Fragments of Light" at the Palazzo Bembo during the Venice Biennale. She employed silver ink on dark blue paper—a distinct departure from her previous work with gold ink on black paper. This subtle shift resulted in a refreshing monochromatic look that plays with reflections and viewer perspectives, delivering an entirely different experience with each angle from which it's viewed.

Stripping Down to Essentials

For Sandra, the purpose of her experimentations is to strip photography to its essence. Her art captures the world in abstract forms, eliminating the distractions of detail and color to present a stark, often silhouetted essence of her subjects. This approach challenges traditional expectations and invites viewers to perceive and interpret photographs in novel ways.

The Joy of Experimentation

Photography, for Sandra, is a joyful exploration rather than a technical exercise. Her philosophy—focusing on seeing rather than having the latest equipment—reminds aspiring photographers to value their vision over their tools. It’s a message of innovation: to nurture curiosity and allow it to guide you in finding new ways to express your artistry.

From Painterly Inspiration to Photographic Realization

Sandra draws significant inspiration from various art forms, including painting. The play of light and shadow in Impressionist paintings, for instance, significantly influences Sandra's work, demonstrating that cross-discipline exploration can be a powerful tool for photographic creativity.

Artistic Legacy and Future Endeavours

While Sandra's works are admired and studied for their distinctive perspectives, she remains committed to exploring new creative avenues. Her dedication to continuous experimentation ensures that each project is as unique and thought-provoking as the ones before it. Sandra's process encourages us to remain curious and to never shy away from experimenting, regardless of where we are on our artistic journey.

Sandra Cattaneo Adorno's work is a testament to how photography can be a delightful journey of its own, continually evolving and enriching both the artist and the observer. Her prints are available through the Robert Mann Gallery in New York, for those interested in owning a piece of her exploratory vision.

To explore more of Sandra's fascinating work, visit her website at sandracattaneoadorno.com. or visit the exhibition in Venice.

Stay tuned for our next episode, where we talk to a photographer with a heavy metal twist - you don't want to miss it!

Keep capturing the world, my friends, and thank you for your continued support of Photo Country.

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The Ayrlies Garden is a Garden of National Significance. It sits quietly in the corner of an Auckland countryside. I visited this garden once before to see the Autumn colours and it was absolutely wonderful.

I have always wanted to go back for another visit and I managed to do that last weekend. It blends exotic plants and native species seamlessly.

Inspired by the trees, I managed to write some verse to go along with the images.

I hope you all enjoy it. The relaunch of the podcast is in the works. Bear with me as I work through a few things and meet you on the other side with a refresh. See you all soon! And I promise it will be quick!! Ta.

Setting the Scene
Let’s dive right into the setup that I used to recreate this captivating photograph. The key lighting component in my setup is a beauty dish, which is positioned on the left side of the camera. It’s paired with a Godox MS 300, set to one by 32 power. As for the rim light, it’s placed slightly behind to accentuate the side of the face, featuring a simple reflector and adjusted to one by 16 power.

My Gear
As for my trusty gear, I used my reliable Sony A7C camera with my kit lens, which I have grown fond of over the years. It’s tethered to Capture One for smooth operation and real-time adjustments.

Post-Processing Magic
Straight out of the camera, I knew some post-processing would be essential to achieve the final result I envisioned. I started by creating a mask for the background, which helped in reducing its exposure carefully. Another mask for the subject allowed me to fine-tune the white balance to my liking. Capture One’s advanced retouching features were indispensable in this process. I used them to contour my face and smooth out the skin, achieving a polished and professional look.

Final Touches

The final step involved my colour grading settings, infusing the image with a particular mood that complements its intense lighting. Once everything was set, I stepped back to evaluate the final image. I must say, I’m quite pleased with how it turned out. What do you think?

Feel free to share your thoughts in the comments below. I love hearing your feedback! Stay tuned for the next recreation adventure. Thank you for being a part of this journey. See you soon!

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2025 has been a bit of a washout photographically! Sort of lost my mojo halfway through. Hardly any photography podcasts or any personal work. I was very focused on practising product photography and did not do any individual projects. So, in a bid to get the creative juices flowing, I forced myself to make the trek to Kariotahi Beach. It's a beautiful black sand beach in South Auckland. I had been here a few months ago in an attempt to capture the Aurora. During low tide, when the beach is wet, it becomes a mirror reflecting the sky. I could not make it to low tide, but I made it for the Sunset. Did you know that the beach is a designated road?

Even though there were lots of clouds in the sky, I couldn't see much colours in the sky. So, I edited a couple of them using a split-tone effect.

Now, as a habit, I am gonna force myself to get out there every weekend to practice. There's no other way to improve my craft, I suppose.

Anyway, here are a few of the shots. I did a bunch of HDR shots as well. All in all, a good exercise for the photographic muscles.

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The year was 2017, the first time I had a real camera in my hands. In fact, it was the first camera that I had ever owned. It was the Pentax K-01, a quirky, mirrorless camera from Pentax. Interestingly, it was the only mirrorless camera ever produced by Pentax. I had bought it for $200 from Auckland Camera, I think.

I had the most fun with that camera, learning, experimenting and discovering photography for the first time. We’ve all heard of the cliche, “Gear Does Not Matter” ~ To create art, I think it shouldn’t. Your gear choices evolve as your skill improves. What is wrong is assuming that better gear will naturally lead to better skill. It just results in a poorer bank balance!

The joy I felt holding that Pentax for the first time, I think, has somehow diminished when the art becomes a 9-to-5 thing.

Yes, you are hired for your skill, but I think it’s crucial to keep that pure, unfiltered joy alive when you are doing art for art’s sake and not for anything else. And that will undoubtedly reflect in the work you do.

So, for 2026, my goal is to go back to that time when I felt like a kid in a candy shop holding that Pentax K-01 in my hands. In the meantime, enjoy these gems from the archives, re-edited in Capture One for your viewing pleasure.

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Uncovering the Legacy of Black Cowboys: An Interview with Ivan McClellan

In the ever-evolving tapestry of American culture, there exist stories that have long been overshadowed or entirely neglected. Yet, photographer Ivan McClellan is capturing and celebrating these narratives through his lens, bringing them into the spotlight. One such story is that of the Black Cowboy—a vibrant and resilient aspect of American heritage that persists today.

A Forgotten Chapter in History

In Episode 59 of the Photo Country podcast, Rajeev sits down with Ivan McClellan, an influential photographer whose work has been pivotal in reigniting interest in the culture of Black Cowboys. These cowboys were instrumental during the early days of the Wild West—a fact often missing in mainstream narratives, where iconic figures like John Wayne and Clint Eastwood dominate the imagery.

From Kansas to the broader world, Ivan’s journey is as fascinating as the culture he documents. Raised on a patch of land in the city, Ivan experienced both rural and urban lifestyles, unknowingly immersed in a culture that he would later come to champion. His firsthand interactions with the subculture of Black Cowboys began with a simple invitation to a rodeo in Oklahoma. There, Ivan’s perception shifted as he encountered a community rich in tradition and culture, one that blended elements of Black heritage with western life.

Breaking Barriers through Photography

Ivan’s introduction to Black Cowboy culture was serendipitous. With a background riddled with diverse photographic experiences—from weddings to commercial shoots—Ivan’s break into this niche was both unexpected and revelatory. He stopped accepting payment for photography, freeing himself to explore and develop his authentic style—characterized by capturing candid, unstaged moments.

His project, Eight Seconds, emerged from a desire to document something meaningful, masterfully showcasing the raw, potent beauty of rodeo events. The name signifies the eight-second ride on a bull or bronco necessary to qualify for a score—symbolizing the intense, unpredictable nature of the rodeo.

Joy as an Act of Rebellion

Ivan’s work does more than document; it celebrates. He describes the rodeo as a resistance, a joyful rebellion against the oppressive climates of our times. Joy, he argues, is a powerful act of defiance. Gathering at these rodeos, communities find collective excitement and exuberance, challenging those who seek to suppress.

A Legacy Carried Forward

Ivan’s commitment to documenting this lively subculture extends beyond photography. With the advent of his own series of rodeo events in Portland and Philadelphia, Ivan amplifies the enthusiastic spirit of these gatherings, fostering community and cultural pride—especially among the youth, who he sees as pivotal in carrying forward this legacy.

A Glimpse into Authenticity

One might wonder what Ivan's photographic style uniquely accomplishes. The answer lies in authenticity. His images do not simply capture cowboys in action; they weave a narrative of personal triumph, familial bonds, and cultural heritage. Images of cowboys adjusting their gear, sharing laughs, or preparing for a race offer universal relatability, reaching beyond rodeo enthusiasts to touch anyone who cherishes genuine human connection.

Conclusion

For those interested in exploring more of Ivan McClellan's work or supporting the Eight Seconds project, his Instagram account, @eightsecs, offers a gateway into this evocative world. Ivan’s efforts are more than photography—they are a reclamation and celebration of stories that enrich our understanding of American culture.

Through his work, Ivan reminds us all that heritage is not just preserved but is actively lived, celebrated, and expanded upon by each new generation. As his lens reveals the captivating reality of Black Cowboys, it also issues a call to recognize and support the diverse narratives that construct our collective history.

For more information, check out Ivan’s work:

- 8 Seconds Rodeo: https://8secondsrodeo.com

- Ivan McClellan: https://eightsecs.com

As always, thanks Apopo Studios for sponsoring this podcast. Check them out, if you are looking for co-working space or a photography studio to shoot portraits, headshots or products.

See you in the next one! Do share your feedback if you liked this episode.

Exploring the World Through the Lens of Matt Jacob

After a long gap, I am back with another episode. I had recorded this a while back. I had the immense pleasure of chatting with Matt Jacob. He's not just a renowned photographer known for his evocative portraits and vibrant storytelling but also the engaging host of the Mood podcast. With his work showcasing the diverse tapestries of cultures around the globe, Matt joined us to talk about his journey, philosophy on art, and why he believes every photograph is a metaphor waiting to be unraveled.

A Passion Sparked by Travel

Matt's passion for photography was ignited through his travels as a pilot. His first career was a childhood dream that took him across the globe, allowing him to discover and record diverse cultures. This curiosity turned into self-expression as he learned to master the camera's technical skills, bringing stories of people and places to life. His love for photography was born from travel, surprise encounters in new places, and the thrill of capturing life through his lens.

The Bali Connection

Matt's journey eventually brought him to Bali, a destination that always intrigued him. As a scuba diving enthusiast, his explorations in Indonesia led him to appreciate the diversity of cultures and landscapes, inspiring him to relocate there during the pandemic. Bali offered Matt a space to live, work, and set up artistic operations, including his podcast and photography studio.

A Stylistic Evolution

Matt describes his style as "moody," characterized by dramatic lighting and expressions, often focusing on indigenous populations. His photographs are a blend of real moments and crafted compositions, capturing the essence of his subjects. His work straddles both environmental portraiture and more intimate, personal portrayals, drawing inspiration from renowned photographers like Joey L, who deeply influenced his journey.

Cultural Sensitivity and Storytelling

Navigating cultural sensitivities is one of the biggest challenges Matt faces in his photography. He stresses the importance of researching and respecting the people and cultures he photographs. Spending time with his subjects before shooting, sharing their stories, and ensuring they have access to the images are crucial steps in his process. The connections made and the experiences shared always take precedence over simply capturing an image.

The Power of Workshops

Matt's journey into education and workshops began during the Covid-19 pandemic. As he sought ways to integrate into the photography community, he started offering advice and holding informal sessions. His plans to conduct workshops and photo expeditions aim to not only share his knowledge but also to deepen his own storytelling, focusing on long-term projects that are rich in cultural depth and meaning.

Podcasting: Sharing the Art of Conversation

The genesis of Matt's podcast aligns with his love for genuine human connections. Born from Instagram live conversations and the desire to learn from others, the podcast has become a cherished project. Despite the rigorous work involved, from guest research to post-production, Matt finds fulfillment in keeping the art of conversation alive and contributing to the broader photography community.

Looking Ahead

As Matt continues to explore photography's vast landscapes, he remains focused on crafting meaningful stories and advancing his expertise, particularly with film photography. His journey over the next few years promises to be an exciting one, woven with artistic endeavors and enriching encounters.

We hope this glimpse into Matt Jacob's world inspires our listeners as much as it has inspired me.

Thanks to Apopo Studios for sponsoring this episode. They are a creative co-working space for photographers, designers and entrepreneurs in South Auckland. Don’t forget to visit www.apopostudios.nz - if you are a photographer looking for an affordable studio space or a freelancer looking for a place to work, Apopo is the space for you.

Stay connected with the Photo Country Podcast for more inspiring stories and enjoy the journey behind the lens with some of the world's most compelling photographers.

Welcome to another enthralling episode of "Photo Country," where we delve into the lives, passions, and creative journeys of photographers from around the world. In this post, I encapsulate a conversation with Ravishankar, an experienced photographer based in Singapore, also known as "the rong side Rascal" on social media. This discussion gives us an insight into the world of photography, the art of composition, and the serendipitous nature of capturing the perfect frame.

 Sometimes the kind of visuals that stop you and sort of, it's, it's like staring at the at the sky in the night. Nothing's happening. It's just star twinkling. But there is a certain, uh, beauty to that.

So, I'm more of a seeker of those kind of frames rather than the technical, you know, expertise or the greatness from a standpoint of how many things are moving in that frame and whether the lighting came from this angle or that angle, or how the face was lit. Yeah, all of that is obviously fine and great, but to me, the composition is the one that I pay the most attention to. For me, composition first and everything else later.

The Art of Photography

Ravishankar introduces us to his philosophy of photography, emphasizing the beauty of simple, serene frames akin to the twinkling stars in the night sky. His approach prioritizes composition over technical perfection, drawing our attention to the soothing power of well-composed images. Ravi's journey began back in 2004, attending foundational photography workshops in Bangalore. Despite pursuing photography as a hobby, he boasts over 21 years of experience, during which he has formed an unyielding affection for visual arts.

Discovering Photography: A Unexpected Journey

Our shared passion for photography unfolds through stories of unexpected beginnings. Ravi speaks fondly about the serendipitous moments that influenced his journey, contrasting these with my story of how an accidental encounter with a camera at a party sparked his photographic interests. I think both of us emphasize the importance of openness to serendipitous moments, which often lead to surprising and memorable compositions.

The Composition First Approach

At the heart of the discussion is the theme of composition. Ravi notes, "Composition first and everything else later," underscoring its paramount importance in photography. He shares experiences from revisiting films like "Ship of Theseus," whose cinematography deeply influenced his approach to framing in photography. Ravi believes every good film is a master class in cinematography, a sentiment echoed in the structured beauty of Singapore, where he currently resides.

Exploring Singapore’s Photography Landscape

Although Singapore's manicured landscapes and ordered streets differ from the more chaotic environments of other countries, Ravi shares that the structured aesthetic also offers unique photographic opportunities. Singapore provides a vibrant canvas for street photography, albeit with geographical and cultural constraints that sometimes limit the unexpected moments sought by photographers.

A Personal Evolution in Artistry

The conversation transitions into Ravi's personal evolution and exploration of portrait photography. Inspired by friends and local photographers, he highlights his interest in intimate photography—capturing people in authentic, unposed moments that reveal deeper layers of their personalities. Ravi seeks to showcase human vulnerability and genuine emotion, using his home studio to practice and perfect this craft.

The Impact of Equipment on Creativity

Ravi touches on the technical aspects of photography, discussing the limitations and inspirations of using a fixed-lens camera. While he acknowledges the constraints it imposes, he also hints at a broader lesson: that sometimes limitations can focus and refine one’s creative vision, even as he aspires for more versatile equipment in the future.

A Reflection on Creative Process

The discussion closes as both photographers reflect on the transformative process of photography. Whether capturing landscapes, organizing series, or responding to serendipity, Ravi and Rajeev convey that true artistic satisfaction comes from the journey itself. Photography is portrayed not just as a means to create aesthetically pleasing images, but as therapeutic and enriching experiences that uplift the soul.

 It really boils down to, looking at photography as a transformative process. I like to cook a lot and, and I don't cook only because I like to eat. Also because in that active cooking I find myself often all my stresses, concerns, self doubts and, all my miseries just wash away.

I think, photography is also in that sense, like that, it is a process of creating where the creation also gives you joy, but more importantly, the process of creation brings you so much more of, joy and peace and, happiness.

Conclusion

In closing, I invite you to explore Ravishankar's compelling photographs displayed on his Instagram and Flickr channels. As ever, this episode of "Photo Country" invites you, the listener, to appreciate photography not only for its end results but also for the peace and joy it fosters within those who practice it.

Thank you for supporting "Photo Country." Join us next week as we continue to dive into the alluring world of photography with passionate artists. Until then, stay safe, keep exploring, and as always, keep clicking.

Check out Ravi’s work here:

https://www.instagram.com/rongsiderascal/

https://www.flickr.com/photos/fantaphilosophy/

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June, 2023

Sholavandhan, is a sleepy little village on the banks of the River Vaigai, near my home town of Madurai in Tamilnadu state. It is known for its fertile land and acres of green fields. It has a long history going back 1000s of years.

Every June, the village comes alive to the sights and sounds of Janakai Mariamman Festival. This festival goes on for 17 days and on the 8th day of the festival, men and women carry fire pots to the temple, where they fill the fire pit on which the devotees walk the next day.

I was in Madurai for a wedding in the family at that time. It was the middle of a really hot summer and a local blogger & photographer, Rexstane Nissi, pulled me along for this festival.

I took my Sony A7R and a Samyang 135mm f2.0 and we landed in Sholavandhan. It was a challenge shooting at close quarters with a long focal length and it was manual as well! But it was a spectacular experience.

It was such an amazing experience to capture and document a part of my culture in such a vivid manner. I am truly lucky to call myself a photographer!

Hope you liked these images! Do share this across your network with people who might enjoy these images. Thanks for dropping by!

As the first rays of sunlight caress the magnificent Brihadeeswarar Temple, I begin my photographic journey through this architectural marvel. The temple, also known as the Big Temple, stands as a testament to the Chola dynasty's architectural brilliance, its towering 216-foot vimana (temple tower) dominating the Thanjavur landscape.

Morning Arrival and First Impressions

The early morning brings a unique energy to the temple complex. Devotees begin to arrive, their movements creating a rhythmic dance of spiritual devotion. The massive fort-like walls surrounding the temple create an imposing yet welcoming atmosphere.

As the Sun was rising, the sky turned yellow and blue. It was absolutely a great time to shoot silhouettes of the grand structure. I hope I did justice to it.

The temple's architectural marvel becomes even more apparent as the sunlight reveals its extraordinary craftsmanship. Built between 1003 and 1010 CE by Rajaraja Chola I, the temple is a UNESCO World Heritage Site that showcases the pinnacle of Chola architectural achievement.

The temple's design is remarkable - constructed without mortar, it stands as a testament to the engineering skills of its time. The morning light plays beautifully across the stone surfaces, creating a photographer's paradise.

I had visited the Big Temple, a couple of years ago, with my parents. At that time, I did explore the details so much and I was too focussed on the structure. This time, I did not make that mistake and explored the sculptures on the walls.

The Nandi (sacred bull) at the Brihadeeswarar Temple in Thanjavur is a remarkable architectural marvel with several distinctive features:

• Carved out of a single rock

• Measures approximately 16 feet long and 13 feet high

• Weighs about 25 tonnes

• Dimensions: 2 m in height, 6 m in length, and 2.5 m in width

As the Sun got higher in the sky, the temple complex came alive. It was thronging with devotees of all types - Sabarimala, Melmaruvathoor, tourists from all corners of India.

As I walked the corridor surrounding the temple, I came across several ancient frescoes, crumbling in the face of time.

As I wound down my visit, I could feel the connection with Raja Raja Cholan. The fact that this temple has stood the test of time is truly remarkable. The temple stands as a testament to the extraordinary engineering, artistic, and cultural capabilities of the Chola dynasty in the 11th century.

Thanks for reading this photo essay and accompanying my on this extraordinary journey across the Chola empire. Please do subscribe to my channel and share this post to someone who will like this.

As we wrapped up our journey in Kumbakonam, our last day was filled with excitement as we set off early in the morning to explore two remarkable temples: Konerirajapuram and Pazhayarai. Each temple holds a unique place in Tamil Nadu's cultural and spiritual landscape, showcasing the architectural brilliance and historical significance of the Chola dynasty.

Konerirajapuram: A Glimpse into Chola History

Our first stop was the Uma Maheswarar Temple at Konerirajapuram, a site steeped in history. This temple is believed to have been constructed in the 10th century by Sembiyan Mahadevi, the grand aunt of Raja Raja Chola I, making it one of the few temples built by a woman in Chola royalty.

As we arrived, we were greeted by the sight of lush paddy fields, setting a serene backdrop for our visit.The temple features a stunning pond opposite its entrance, and on this day, preparations were underway for an upcoming festival.

One of the most significant aspects of this temple is its Nataraja bronze, reputed to be the largest of its kind. The poojari, a skilled storyteller, shared captivating legends about this idol made from panchaloka alloys—a blend of gold, silver, copper, iron, and zinc. According to lore, Lord Shiva consumed this metal concoction and transformed into a living idol before the sculptor's eyes. The intricate details of the Nataraja statue left us in awe, although photography was restricted within the sanctum.

The temple's walls are adorned with beautiful paintings and miniature sculptures, though it was evident that some areas were in need of restoration. I managed to capture a few images of the paintings on my phone.

Pazhayårai: The Mythical Capital

Next, we ventured towards Pazhayarai, known as Ayiratalli or "the land of a thousand temples." Our journey took us on a bit of a detour thanks to Google Maps, but we eventually arrived at the Pazhayarai Somanathaswami Temple. Surprisingly, we encountered cattle roaming freely in the courtyard—a reminder of the temple's rural setting.

This temple boasts a rich history dating back to the 7th century during the Chola dynasty and contains inscriptions detailing donations made by Kundavai Nachiyar, sister to Raja Raja Chola I.

Upon approaching the temple, we were enveloped by the resonant chants of "Om Namachivaya," creating an atmosphere charged with spirituality.

Hidden behind its walls was an expansive temple complex that echoed centuries of devotion.This temple is also mentioned in the Tevaram, hymns composed by Tamil saints like Appar and Thirugnana Sampanthar, further highlighting its significance.

My interest in visiting this site was piqued after watching Ponniyin Selvan, and stepping into this historical space felt like fulfilling a personal wish.

The architectural beauty of Somanathaswami Temple is remarkable, showcasing intricate carvings and inscriptions that reflect the artistic prowess of its creators during the Chola period.

A Testament to Cultural Heritage

Both Konerirajapuram and Pazhayarai serve as enduring testaments to Tamil Nadu's rich cultural heritage and the legacy of the Chola dynasty. While our time was limited—preventing us from exploring more temples in this historically rich region—we cherished every moment spent at these sacred sites.

As we concluded our visits in Kumbakonam, I felt grateful for the opportunity to connect with such profound history and spirituality. Each temple not only tells stories from centuries past but also continues to inspire devotion among countless visitors today.

It’s been a hectic week, and as I sit down to reflect on my travels, I realize this is the last weekend before we head back to Auckland. This trip has been nothing short of fantastic. I've visited amazing locations, forged wonderful memories with my parents, and reconnected with friends and family. And the icing on the cake? Capturing it all through my lens.

In this blog post, I want to share my experience visiting the Kampaheswarar Temple in Thirubhuvanam, a sleepy little village near Kumbakonam, Tamil Nadu.

A Scenic Drive

The journey to Thirubhuvanam was a scenic delight. As we drove through the countryside, we passed by verdant paddy fields, lush and vibrant, ready for harvest. The golden hues of the ripening rice contrasted beautifully with the deep green of the leaves, creating a stunning landscape that felt almost surreal.

This route not only provided a feast for the eyes but also set a tranquil tone for our visit to the temple. The gentle sway of the fields in the breeze seemed to whisper stories of the land and its people.

The Temple's Historical Significance

Upon reaching the Kampaheswarar Temple, I was immediately struck by its grandeur. Built by Kulothunga Chola III in the early 13th century, this temple is considered one of the last masterpieces of the great Chola dynasty. It was constructed to commemorate one of Kulothunga's military victories and stands as a testament to the architectural brilliance of that era.

While some renovations have taken place over the years, remnants of the original structure still remain. Notably, I was captivated by two twin figurines depicting a pregnant woman and a mother. The level of detail in these micro sculptures is astounding, showcasing the exceptional craftsmanship of ancient artisans.

Architectural Marvels

As I explored further into the temple complex, I was mesmerized by the intricately carved pillars that lined the halls. Each pillar tells its own story through detailed carvings that depict various deities and mythological scenes. The artistry here is not just decoration; it reflects a deep spiritual significance and reverence for tradition.

The temple follows Dravidian architectural style, characterized by its towering vimana (sanctum tower) that rises above everything else. The gopuram (entrance tower) is equally impressive, drawing visitors into this sacred space with its majestic presence.

Capturing Moments

Throughout my visit, I made sure to capture every moment with my camera. From wide-angle shots of the temple's exterior against the backdrop of clear blue skies to close-ups of those mesmerizing sculptures, each photograph tells a part of this temple's story.

As I wrap up this exploration of Thirubhuvanam’s Kampaheswarar Temple, I invite you to check out my blog where you can see these images in full resolution.

Thank you for joining me on this journey! If you enjoyed reading about my experience, please leave a like or share it with someone who would appreciate it too.

This is Rajeev signing off until our next adventure!

• Shot on Sony A7C and Viltrox 20mm f2.8

• Edited on Capture One

The Airavateswara Temple, located in Darasuram near Kumbakonam, Tamil Nadu, is a stunning example of Chola architecture and artistry, built in the 12th century by King Rajaraja Chola II. This UNESCO World Heritage Site is renowned for its intricate sculptures and detailed carvings, making it a significant cultural treasure.

The temple is constructed in the Dravidian architectural style, resembling a grand chariot being pulled by elephants and horses. Its impressive five-tiered vimana (tower) rises to 24 meters, showcasing the temple's grandeur despite its smaller size compared to other Chola temples like those in Thanjavur and Gangaikondacholapuram. The use of a traditional interlocking stone system has allowed this architectural wonder to withstand the test of time, earning it the description of "poetry in stone" due to the stories intricately carved into its façade.

One of the temple's most captivating features is its micro carvings, which are remarkably detailed despite measuring only 1-2 inches in height. These tiny sculptures depict various deities and mythological scenes, showcasing the exceptional skill of Chola artisans. The ceilings are adorned with carvings representing dance poses and mudras, while every corner of the temple complex reveals more artistic expressions, from life-sized figures to elaborate reliefs.

The temple’s design incorporates elements that reflect themes of devotion and spirituality, making it not just an architectural marvel but also a place of worship deeply embedded in religious lore. The Airavateswara Temple in Darasuram stands as a testament to the artistic brilliance of the Chola dynasty. Its intricate sculptures, unique architectural features, and rich history make it an essential destination for anyone interested in Indian art and culture. A visit to this temple is not merely an exploration of architecture; it is an immersion into a world where stone tells stories and art transcends time.

How does it compare with the Big Temple and Gangai Konda Cholapuram? I feel this temple is epitome of Chola artistry. They reached a peak with the construction of this temple. Having visited all 3, I can whole heartedly say that Darasuram is at the top of my list. I had a great time documenting the temple and the photos don’t do enough justice, in my opinion, to the grandeur and artistry of this magnificent edifice in stone.

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The Thirumohoor Kalamegaperumal Temple, located near Melur in the Madurai district of Tamil Nadu, is a significant Hindu temple dedicated to Lord Vishnu, revered here as Kalamega Perumal. This temple is one of the 108 Divya Desams, which are considered the holiest abodes of Vishnu, and it plays a crucial role in the spiritual and cultural landscape of the region.

I headed out there to meet an old friend and relative of mine. We reconnected after losing contact many years ago. It was a quaint place for a reunion I should say.

The temple is believed to have been constructed in the 7th century CE by the Pandya kings, with later enhancements made during the rule of the Madurai Nayaks. It is renowned for its rich architectural style, exemplifying Dravidian architecture with intricate carvings and towering gopurams (gateway towers) that are characteristic of South Indian temples.

We will look at some of the sculptures that I was drawn to at this temple.

My friend pointed out that one of the sculptures looked like a character from Hellboy! I definitely think so. I leave it to your imagination as to which one it is. :-)

I edited them on Capture One - my raw editor of choice. Its AI based masking tools are amazing. I was quickly able to isolate the sculptures and dodge the background to black. Amazing tool really!

The temple complex is encircled by a granite wall and features a prominent five-tiered rajagopuram. But what I was more enamoured by was the sculptures.

This one was spectacular in detail and it was amazing to see the work of the unknown artist who did this poetry in stone. So intricate!

I close this photo essay with this beautiful sculpture of a lady. Just look at the alluring posture!

If you have read this far, I have a request: give a listen to my Photo Country Podcast available on Substack or on Spotify. Its been featured on Feedspot’s Top 100 Photography Podcasts.

I certainly enjoyed capturing these lovely sculptures. I hope you enjoyed them too!

On to the next photography adventure!

Nestled in the heart of Madurai, the Thirumalai Nayakar Mahal stands as a remarkable example of architectural brilliance from the 17th century. Built by King Thirumalai Nayak in 1636, this palace is a stunning fusion of Dravidian, Islamic, and Rajput architectural styles, with notable European influences. Its intricate design and monumental pillars not only reflect the grandeur of its time but also tell the story of a rich cultural heritage.

I headed out there with a friends and family as the first stop in our visit back to my hometown. I had my Viltrox 20mm f2.8 affixed on the Sony A7C. I had bought this lens primarily for my India trip and this was my first outing with it.

The Nayakar Mahal with its huge pillars and grand vistas got my imagination rolling. I realised that it was a great place to try out black and whites and silhouettes.

The Pillars: Guardians of History

One of the most striking features of the Thirumalai Nayakar Mahal is its massive pillars. These pillars are not merely structural elements; they are monumental sculptures that embody the artistry and engineering prowess of the Nayak Dynasty. Standing approximately 80 feet tall and 20 feet wide, these pillars create an imposing presence that leaves visitors in awe. The sheer scale of these columns is such that it takes several adults to encircle just one pillar, emphasizing their grandeur and strength.

The palace originally boasted around 200 pillars, many of which line the expansive corridors connecting various sections of the palace. Each pillar is adorned with intricate carvings that showcase traditional motifs and designs, reflecting a blend of local craftsmanship and foreign influences brought in by European architects.

One thing I did notice was that the lens kept hunting for focus. I do realise that I have not updated the firmware on the lens and hopefully that will fix the issue. Nevertheless for the price point, the image quality that this tiny lens produces is nothing less than outstanding.

It was really sunny outside and the next thing I tried was a high key style photo. This image was intentionally overexposed for the hightlights, creating this burst of light in the centre offset by a visitor sitting in the corner. I really loved the way Capture One has rendered this image. With Capture One I have intentionally turned down the amount of editing that I do on an image and keep it as natural as possible.

Architectural Style: A Blend of Cultures

The architectural style of Thirumalai Nayakar Mahal is often described as Indo-Saracenic, characterized by its grand arches, domes, and intricate stuccowork. The central courtyard, measuring an impressive 42,000 square feet, is surrounded by high decorated arches that further enhance the palace's majestic appearance.

The influence of Islamic architecture is evident in the scalloped arches and ornate ceilings, while the robust structure reflects traditional Dravidian elements.The Sorgavilasam(Celestial Pavilion) within the palace is particularly noteworthy. It showcases a vast hall constructed entirely without rafters or girders, demonstrating advanced engineering techniques for its time. This pavilion serves as a focal point for visitors, drawing them into its historical significance and architectural beauty.

I particularly loved how Capture One’s Match Look works perfectly with recreating the same look across all my images. Worked perfectly every time! I did take a lot of images of the huge courtyard and the frescos on the ceiling. But that is not the focus of this essay. This is purely B&W and silhouettes.

Overall, a satisfactory first outing with my Viltrox lens. It has not left my camera at all, since the day it was mounted on it. Viltrox has a winner!

In Conclusion:

Today, Thirumalai Nayakar Mahal remains a symbol of Madurai's rich history and architectural heritage. Despite facing challenges over centuries—including partial demolitions by later rulers—the palace has been partially restored to preserve its grandeur for future generations.

As you explore this magnificent palace through black and white photography, each image captures not just the architectural details but also the essence of a bygone era. The interplay of light and shadow on the grand pillars and arches creates a timeless narrative that invites viewers to reflect on the artistry and history encapsulated within these walls.

Thirumalai Nayakar Mahal is more than just a historical site; it is a living testament to the artistic achievements and cultural amalgamation that define Madurai. Its majestic pillars stand as silent witnesses to centuries of history, inviting all who visit to appreciate their beauty and significance.

I hope you enjoyed this photo essay. Follow me on Instagram and make sure to follow me on Substack as well for my latest and greatest podcast episodes.

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