Setting the Scene
Let’s dive right into the setup that I used to recreate this captivating photograph. The key lighting component in my setup is a beauty dish, which is positioned on the left side of the camera. It’s paired with a Godox MS 300, set to one by 32 power. As for the rim light, it’s placed slightly behind to accentuate the side of the face, featuring a simple reflector and adjusted to one by 16 power.

My Gear
As for my trusty gear, I used my reliable Sony A7C camera with my kit lens, which I have grown fond of over the years. It’s tethered to Capture One for smooth operation and real-time adjustments.

Post-Processing Magic
Straight out of the camera, I knew some post-processing would be essential to achieve the final result I envisioned. I started by creating a mask for the background, which helped in reducing its exposure carefully. Another mask for the subject allowed me to fine-tune the white balance to my liking. Capture One’s advanced retouching features were indispensable in this process. I used them to contour my face and smooth out the skin, achieving a polished and professional look.

Final Touches

The final step involved my colour grading settings, infusing the image with a particular mood that complements its intense lighting. Once everything was set, I stepped back to evaluate the final image. I must say, I’m quite pleased with how it turned out. What do you think?

Feel free to share your thoughts in the comments below. I love hearing your feedback! Stay tuned for the next recreation adventure. Thank you for being a part of this journey. See you soon!

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2025 has been a bit of a washout photographically! Sort of lost my mojo halfway through. Hardly any photography podcasts or any personal work. I was very focused on practising product photography and did not do any individual projects. So, in a bid to get the creative juices flowing, I forced myself to make the trek to Kariotahi Beach. It's a beautiful black sand beach in South Auckland. I had been here a few months ago in an attempt to capture the Aurora. During low tide, when the beach is wet, it becomes a mirror reflecting the sky. I could not make it to low tide, but I made it for the Sunset. Did you know that the beach is a designated road?

Even though there were lots of clouds in the sky, I couldn't see much colours in the sky. So, I edited a couple of them using a split-tone effect.

Now, as a habit, I am gonna force myself to get out there every weekend to practice. There's no other way to improve my craft, I suppose.

Anyway, here are a few of the shots. I did a bunch of HDR shots as well. All in all, a good exercise for the photographic muscles.

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The year was 2017, the first time I had a real camera in my hands. In fact, it was the first camera that I had ever owned. It was the Pentax K-01, a quirky, mirrorless camera from Pentax. Interestingly, it was the only mirrorless camera ever produced by Pentax. I had bought it for $200 from Auckland Camera, I think.

I had the most fun with that camera, learning, experimenting and discovering photography for the first time. We’ve all heard of the cliche, “Gear Does Not Matter” ~ To create art, I think it shouldn’t. Your gear choices evolve as your skill improves. What is wrong is assuming that better gear will naturally lead to better skill. It just results in a poorer bank balance!

The joy I felt holding that Pentax for the first time, I think, has somehow diminished when the art becomes a 9-to-5 thing.

Yes, you are hired for your skill, but I think it’s crucial to keep that pure, unfiltered joy alive when you are doing art for art’s sake and not for anything else. And that will undoubtedly reflect in the work you do.

So, for 2026, my goal is to go back to that time when I felt like a kid in a candy shop holding that Pentax K-01 in my hands. In the meantime, enjoy these gems from the archives, re-edited in Capture One for your viewing pleasure.

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Uncovering the Legacy of Black Cowboys: An Interview with Ivan McClellan

In the ever-evolving tapestry of American culture, there exist stories that have long been overshadowed or entirely neglected. Yet, photographer Ivan McClellan is capturing and celebrating these narratives through his lens, bringing them into the spotlight. One such story is that of the Black Cowboy—a vibrant and resilient aspect of American heritage that persists today.

A Forgotten Chapter in History

In Episode 59 of the Photo Country podcast, Rajeev sits down with Ivan McClellan, an influential photographer whose work has been pivotal in reigniting interest in the culture of Black Cowboys. These cowboys were instrumental during the early days of the Wild West—a fact often missing in mainstream narratives, where iconic figures like John Wayne and Clint Eastwood dominate the imagery.

From Kansas to the broader world, Ivan’s journey is as fascinating as the culture he documents. Raised on a patch of land in the city, Ivan experienced both rural and urban lifestyles, unknowingly immersed in a culture that he would later come to champion. His firsthand interactions with the subculture of Black Cowboys began with a simple invitation to a rodeo in Oklahoma. There, Ivan’s perception shifted as he encountered a community rich in tradition and culture, one that blended elements of Black heritage with western life.

Breaking Barriers through Photography

Ivan’s introduction to Black Cowboy culture was serendipitous. With a background riddled with diverse photographic experiences—from weddings to commercial shoots—Ivan’s break into this niche was both unexpected and revelatory. He stopped accepting payment for photography, freeing himself to explore and develop his authentic style—characterized by capturing candid, unstaged moments.

His project, Eight Seconds, emerged from a desire to document something meaningful, masterfully showcasing the raw, potent beauty of rodeo events. The name signifies the eight-second ride on a bull or bronco necessary to qualify for a score—symbolizing the intense, unpredictable nature of the rodeo.

Joy as an Act of Rebellion

Ivan’s work does more than document; it celebrates. He describes the rodeo as a resistance, a joyful rebellion against the oppressive climates of our times. Joy, he argues, is a powerful act of defiance. Gathering at these rodeos, communities find collective excitement and exuberance, challenging those who seek to suppress.

A Legacy Carried Forward

Ivan’s commitment to documenting this lively subculture extends beyond photography. With the advent of his own series of rodeo events in Portland and Philadelphia, Ivan amplifies the enthusiastic spirit of these gatherings, fostering community and cultural pride—especially among the youth, who he sees as pivotal in carrying forward this legacy.

A Glimpse into Authenticity

One might wonder what Ivan's photographic style uniquely accomplishes. The answer lies in authenticity. His images do not simply capture cowboys in action; they weave a narrative of personal triumph, familial bonds, and cultural heritage. Images of cowboys adjusting their gear, sharing laughs, or preparing for a race offer universal relatability, reaching beyond rodeo enthusiasts to touch anyone who cherishes genuine human connection.

Conclusion

For those interested in exploring more of Ivan McClellan's work or supporting the Eight Seconds project, his Instagram account, @eightsecs, offers a gateway into this evocative world. Ivan’s efforts are more than photography—they are a reclamation and celebration of stories that enrich our understanding of American culture.

Through his work, Ivan reminds us all that heritage is not just preserved but is actively lived, celebrated, and expanded upon by each new generation. As his lens reveals the captivating reality of Black Cowboys, it also issues a call to recognize and support the diverse narratives that construct our collective history.

For more information, check out Ivan’s work:

- 8 Seconds Rodeo: https://8secondsrodeo.com

- Ivan McClellan: https://eightsecs.com

As always, thanks Apopo Studios for sponsoring this podcast. Check them out, if you are looking for co-working space or a photography studio to shoot portraits, headshots or products.

See you in the next one! Do share your feedback if you liked this episode.

Exploring the World Through the Lens of Matt Jacob

After a long gap, I am back with another episode. I had recorded this a while back. I had the immense pleasure of chatting with Matt Jacob. He's not just a renowned photographer known for his evocative portraits and vibrant storytelling but also the engaging host of the Mood podcast. With his work showcasing the diverse tapestries of cultures around the globe, Matt joined us to talk about his journey, philosophy on art, and why he believes every photograph is a metaphor waiting to be unraveled.

A Passion Sparked by Travel

Matt's passion for photography was ignited through his travels as a pilot. His first career was a childhood dream that took him across the globe, allowing him to discover and record diverse cultures. This curiosity turned into self-expression as he learned to master the camera's technical skills, bringing stories of people and places to life. His love for photography was born from travel, surprise encounters in new places, and the thrill of capturing life through his lens.

The Bali Connection

Matt's journey eventually brought him to Bali, a destination that always intrigued him. As a scuba diving enthusiast, his explorations in Indonesia led him to appreciate the diversity of cultures and landscapes, inspiring him to relocate there during the pandemic. Bali offered Matt a space to live, work, and set up artistic operations, including his podcast and photography studio.

A Stylistic Evolution

Matt describes his style as "moody," characterized by dramatic lighting and expressions, often focusing on indigenous populations. His photographs are a blend of real moments and crafted compositions, capturing the essence of his subjects. His work straddles both environmental portraiture and more intimate, personal portrayals, drawing inspiration from renowned photographers like Joey L, who deeply influenced his journey.

Cultural Sensitivity and Storytelling

Navigating cultural sensitivities is one of the biggest challenges Matt faces in his photography. He stresses the importance of researching and respecting the people and cultures he photographs. Spending time with his subjects before shooting, sharing their stories, and ensuring they have access to the images are crucial steps in his process. The connections made and the experiences shared always take precedence over simply capturing an image.

The Power of Workshops

Matt's journey into education and workshops began during the Covid-19 pandemic. As he sought ways to integrate into the photography community, he started offering advice and holding informal sessions. His plans to conduct workshops and photo expeditions aim to not only share his knowledge but also to deepen his own storytelling, focusing on long-term projects that are rich in cultural depth and meaning.

Podcasting: Sharing the Art of Conversation

The genesis of Matt's podcast aligns with his love for genuine human connections. Born from Instagram live conversations and the desire to learn from others, the podcast has become a cherished project. Despite the rigorous work involved, from guest research to post-production, Matt finds fulfillment in keeping the art of conversation alive and contributing to the broader photography community.

Looking Ahead

As Matt continues to explore photography's vast landscapes, he remains focused on crafting meaningful stories and advancing his expertise, particularly with film photography. His journey over the next few years promises to be an exciting one, woven with artistic endeavors and enriching encounters.

We hope this glimpse into Matt Jacob's world inspires our listeners as much as it has inspired me.

Thanks to Apopo Studios for sponsoring this episode. They are a creative co-working space for photographers, designers and entrepreneurs in South Auckland. Don’t forget to visit www.apopostudios.nz - if you are a photographer looking for an affordable studio space or a freelancer looking for a place to work, Apopo is the space for you.

Stay connected with the Photo Country Podcast for more inspiring stories and enjoy the journey behind the lens with some of the world's most compelling photographers.

Welcome to another enthralling episode of "Photo Country," where we delve into the lives, passions, and creative journeys of photographers from around the world. In this post, I encapsulate a conversation with Ravishankar, an experienced photographer based in Singapore, also known as "the rong side Rascal" on social media. This discussion gives us an insight into the world of photography, the art of composition, and the serendipitous nature of capturing the perfect frame.

 Sometimes the kind of visuals that stop you and sort of, it's, it's like staring at the at the sky in the night. Nothing's happening. It's just star twinkling. But there is a certain, uh, beauty to that.

So, I'm more of a seeker of those kind of frames rather than the technical, you know, expertise or the greatness from a standpoint of how many things are moving in that frame and whether the lighting came from this angle or that angle, or how the face was lit. Yeah, all of that is obviously fine and great, but to me, the composition is the one that I pay the most attention to. For me, composition first and everything else later.

The Art of Photography

Ravishankar introduces us to his philosophy of photography, emphasizing the beauty of simple, serene frames akin to the twinkling stars in the night sky. His approach prioritizes composition over technical perfection, drawing our attention to the soothing power of well-composed images. Ravi's journey began back in 2004, attending foundational photography workshops in Bangalore. Despite pursuing photography as a hobby, he boasts over 21 years of experience, during which he has formed an unyielding affection for visual arts.

Discovering Photography: A Unexpected Journey

Our shared passion for photography unfolds through stories of unexpected beginnings. Ravi speaks fondly about the serendipitous moments that influenced his journey, contrasting these with my story of how an accidental encounter with a camera at a party sparked his photographic interests. I think both of us emphasize the importance of openness to serendipitous moments, which often lead to surprising and memorable compositions.

The Composition First Approach

At the heart of the discussion is the theme of composition. Ravi notes, "Composition first and everything else later," underscoring its paramount importance in photography. He shares experiences from revisiting films like "Ship of Theseus," whose cinematography deeply influenced his approach to framing in photography. Ravi believes every good film is a master class in cinematography, a sentiment echoed in the structured beauty of Singapore, where he currently resides.

Exploring Singapore’s Photography Landscape

Although Singapore's manicured landscapes and ordered streets differ from the more chaotic environments of other countries, Ravi shares that the structured aesthetic also offers unique photographic opportunities. Singapore provides a vibrant canvas for street photography, albeit with geographical and cultural constraints that sometimes limit the unexpected moments sought by photographers.

A Personal Evolution in Artistry

The conversation transitions into Ravi's personal evolution and exploration of portrait photography. Inspired by friends and local photographers, he highlights his interest in intimate photography—capturing people in authentic, unposed moments that reveal deeper layers of their personalities. Ravi seeks to showcase human vulnerability and genuine emotion, using his home studio to practice and perfect this craft.

The Impact of Equipment on Creativity

Ravi touches on the technical aspects of photography, discussing the limitations and inspirations of using a fixed-lens camera. While he acknowledges the constraints it imposes, he also hints at a broader lesson: that sometimes limitations can focus and refine one’s creative vision, even as he aspires for more versatile equipment in the future.

A Reflection on Creative Process

The discussion closes as both photographers reflect on the transformative process of photography. Whether capturing landscapes, organizing series, or responding to serendipity, Ravi and Rajeev convey that true artistic satisfaction comes from the journey itself. Photography is portrayed not just as a means to create aesthetically pleasing images, but as therapeutic and enriching experiences that uplift the soul.

 It really boils down to, looking at photography as a transformative process. I like to cook a lot and, and I don't cook only because I like to eat. Also because in that active cooking I find myself often all my stresses, concerns, self doubts and, all my miseries just wash away.

I think, photography is also in that sense, like that, it is a process of creating where the creation also gives you joy, but more importantly, the process of creation brings you so much more of, joy and peace and, happiness.

Conclusion

In closing, I invite you to explore Ravishankar's compelling photographs displayed on his Instagram and Flickr channels. As ever, this episode of "Photo Country" invites you, the listener, to appreciate photography not only for its end results but also for the peace and joy it fosters within those who practice it.

Thank you for supporting "Photo Country." Join us next week as we continue to dive into the alluring world of photography with passionate artists. Until then, stay safe, keep exploring, and as always, keep clicking.

Check out Ravi’s work here:

https://www.instagram.com/rongsiderascal/

https://www.flickr.com/photos/fantaphilosophy/

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June, 2023

Sholavandhan, is a sleepy little village on the banks of the River Vaigai, near my home town of Madurai in Tamilnadu state. It is known for its fertile land and acres of green fields. It has a long history going back 1000s of years.

Every June, the village comes alive to the sights and sounds of Janakai Mariamman Festival. This festival goes on for 17 days and on the 8th day of the festival, men and women carry fire pots to the temple, where they fill the fire pit on which the devotees walk the next day.

I was in Madurai for a wedding in the family at that time. It was the middle of a really hot summer and a local blogger & photographer, Rexstane Nissi, pulled me along for this festival.

I took my Sony A7R and a Samyang 135mm f2.0 and we landed in Sholavandhan. It was a challenge shooting at close quarters with a long focal length and it was manual as well! But it was a spectacular experience.

It was such an amazing experience to capture and document a part of my culture in such a vivid manner. I am truly lucky to call myself a photographer!

Hope you liked these images! Do share this across your network with people who might enjoy these images. Thanks for dropping by!

As the first rays of sunlight caress the magnificent Brihadeeswarar Temple, I begin my photographic journey through this architectural marvel. The temple, also known as the Big Temple, stands as a testament to the Chola dynasty's architectural brilliance, its towering 216-foot vimana (temple tower) dominating the Thanjavur landscape.

Morning Arrival and First Impressions

The early morning brings a unique energy to the temple complex. Devotees begin to arrive, their movements creating a rhythmic dance of spiritual devotion. The massive fort-like walls surrounding the temple create an imposing yet welcoming atmosphere.

As the Sun was rising, the sky turned yellow and blue. It was absolutely a great time to shoot silhouettes of the grand structure. I hope I did justice to it.

The temple's architectural marvel becomes even more apparent as the sunlight reveals its extraordinary craftsmanship. Built between 1003 and 1010 CE by Rajaraja Chola I, the temple is a UNESCO World Heritage Site that showcases the pinnacle of Chola architectural achievement.

The temple's design is remarkable - constructed without mortar, it stands as a testament to the engineering skills of its time. The morning light plays beautifully across the stone surfaces, creating a photographer's paradise.

I had visited the Big Temple, a couple of years ago, with my parents. At that time, I did explore the details so much and I was too focussed on the structure. This time, I did not make that mistake and explored the sculptures on the walls.

The Nandi (sacred bull) at the Brihadeeswarar Temple in Thanjavur is a remarkable architectural marvel with several distinctive features:

• Carved out of a single rock

• Measures approximately 16 feet long and 13 feet high

• Weighs about 25 tonnes

• Dimensions: 2 m in height, 6 m in length, and 2.5 m in width

As the Sun got higher in the sky, the temple complex came alive. It was thronging with devotees of all types - Sabarimala, Melmaruvathoor, tourists from all corners of India.

As I walked the corridor surrounding the temple, I came across several ancient frescoes, crumbling in the face of time.

As I wound down my visit, I could feel the connection with Raja Raja Cholan. The fact that this temple has stood the test of time is truly remarkable. The temple stands as a testament to the extraordinary engineering, artistic, and cultural capabilities of the Chola dynasty in the 11th century.

Thanks for reading this photo essay and accompanying my on this extraordinary journey across the Chola empire. Please do subscribe to my channel and share this post to someone who will like this.

As we wrapped up our journey in Kumbakonam, our last day was filled with excitement as we set off early in the morning to explore two remarkable temples: Konerirajapuram and Pazhayarai. Each temple holds a unique place in Tamil Nadu's cultural and spiritual landscape, showcasing the architectural brilliance and historical significance of the Chola dynasty.

Konerirajapuram: A Glimpse into Chola History

Our first stop was the Uma Maheswarar Temple at Konerirajapuram, a site steeped in history. This temple is believed to have been constructed in the 10th century by Sembiyan Mahadevi, the grand aunt of Raja Raja Chola I, making it one of the few temples built by a woman in Chola royalty.

As we arrived, we were greeted by the sight of lush paddy fields, setting a serene backdrop for our visit.The temple features a stunning pond opposite its entrance, and on this day, preparations were underway for an upcoming festival.

One of the most significant aspects of this temple is its Nataraja bronze, reputed to be the largest of its kind. The poojari, a skilled storyteller, shared captivating legends about this idol made from panchaloka alloys—a blend of gold, silver, copper, iron, and zinc. According to lore, Lord Shiva consumed this metal concoction and transformed into a living idol before the sculptor's eyes. The intricate details of the Nataraja statue left us in awe, although photography was restricted within the sanctum.

The temple's walls are adorned with beautiful paintings and miniature sculptures, though it was evident that some areas were in need of restoration. I managed to capture a few images of the paintings on my phone.

Pazhayårai: The Mythical Capital

Next, we ventured towards Pazhayarai, known as Ayiratalli or "the land of a thousand temples." Our journey took us on a bit of a detour thanks to Google Maps, but we eventually arrived at the Pazhayarai Somanathaswami Temple. Surprisingly, we encountered cattle roaming freely in the courtyard—a reminder of the temple's rural setting.

This temple boasts a rich history dating back to the 7th century during the Chola dynasty and contains inscriptions detailing donations made by Kundavai Nachiyar, sister to Raja Raja Chola I.

Upon approaching the temple, we were enveloped by the resonant chants of "Om Namachivaya," creating an atmosphere charged with spirituality.

Hidden behind its walls was an expansive temple complex that echoed centuries of devotion.This temple is also mentioned in the Tevaram, hymns composed by Tamil saints like Appar and Thirugnana Sampanthar, further highlighting its significance.

My interest in visiting this site was piqued after watching Ponniyin Selvan, and stepping into this historical space felt like fulfilling a personal wish.

The architectural beauty of Somanathaswami Temple is remarkable, showcasing intricate carvings and inscriptions that reflect the artistic prowess of its creators during the Chola period.

A Testament to Cultural Heritage

Both Konerirajapuram and Pazhayarai serve as enduring testaments to Tamil Nadu's rich cultural heritage and the legacy of the Chola dynasty. While our time was limited—preventing us from exploring more temples in this historically rich region—we cherished every moment spent at these sacred sites.

As we concluded our visits in Kumbakonam, I felt grateful for the opportunity to connect with such profound history and spirituality. Each temple not only tells stories from centuries past but also continues to inspire devotion among countless visitors today.

It’s been a hectic week, and as I sit down to reflect on my travels, I realize this is the last weekend before we head back to Auckland. This trip has been nothing short of fantastic. I've visited amazing locations, forged wonderful memories with my parents, and reconnected with friends and family. And the icing on the cake? Capturing it all through my lens.

In this blog post, I want to share my experience visiting the Kampaheswarar Temple in Thirubhuvanam, a sleepy little village near Kumbakonam, Tamil Nadu.

A Scenic Drive

The journey to Thirubhuvanam was a scenic delight. As we drove through the countryside, we passed by verdant paddy fields, lush and vibrant, ready for harvest. The golden hues of the ripening rice contrasted beautifully with the deep green of the leaves, creating a stunning landscape that felt almost surreal.

This route not only provided a feast for the eyes but also set a tranquil tone for our visit to the temple. The gentle sway of the fields in the breeze seemed to whisper stories of the land and its people.

The Temple's Historical Significance

Upon reaching the Kampaheswarar Temple, I was immediately struck by its grandeur. Built by Kulothunga Chola III in the early 13th century, this temple is considered one of the last masterpieces of the great Chola dynasty. It was constructed to commemorate one of Kulothunga's military victories and stands as a testament to the architectural brilliance of that era.

While some renovations have taken place over the years, remnants of the original structure still remain. Notably, I was captivated by two twin figurines depicting a pregnant woman and a mother. The level of detail in these micro sculptures is astounding, showcasing the exceptional craftsmanship of ancient artisans.

Architectural Marvels

As I explored further into the temple complex, I was mesmerized by the intricately carved pillars that lined the halls. Each pillar tells its own story through detailed carvings that depict various deities and mythological scenes. The artistry here is not just decoration; it reflects a deep spiritual significance and reverence for tradition.

The temple follows Dravidian architectural style, characterized by its towering vimana (sanctum tower) that rises above everything else. The gopuram (entrance tower) is equally impressive, drawing visitors into this sacred space with its majestic presence.

Capturing Moments

Throughout my visit, I made sure to capture every moment with my camera. From wide-angle shots of the temple's exterior against the backdrop of clear blue skies to close-ups of those mesmerizing sculptures, each photograph tells a part of this temple's story.

As I wrap up this exploration of Thirubhuvanam’s Kampaheswarar Temple, I invite you to check out my blog where you can see these images in full resolution.

Thank you for joining me on this journey! If you enjoyed reading about my experience, please leave a like or share it with someone who would appreciate it too.

This is Rajeev signing off until our next adventure!

• Shot on Sony A7C and Viltrox 20mm f2.8

• Edited on Capture One

The Airavateswara Temple, located in Darasuram near Kumbakonam, Tamil Nadu, is a stunning example of Chola architecture and artistry, built in the 12th century by King Rajaraja Chola II. This UNESCO World Heritage Site is renowned for its intricate sculptures and detailed carvings, making it a significant cultural treasure.

The temple is constructed in the Dravidian architectural style, resembling a grand chariot being pulled by elephants and horses. Its impressive five-tiered vimana (tower) rises to 24 meters, showcasing the temple's grandeur despite its smaller size compared to other Chola temples like those in Thanjavur and Gangaikondacholapuram. The use of a traditional interlocking stone system has allowed this architectural wonder to withstand the test of time, earning it the description of "poetry in stone" due to the stories intricately carved into its façade.

One of the temple's most captivating features is its micro carvings, which are remarkably detailed despite measuring only 1-2 inches in height. These tiny sculptures depict various deities and mythological scenes, showcasing the exceptional skill of Chola artisans. The ceilings are adorned with carvings representing dance poses and mudras, while every corner of the temple complex reveals more artistic expressions, from life-sized figures to elaborate reliefs.

The temple’s design incorporates elements that reflect themes of devotion and spirituality, making it not just an architectural marvel but also a place of worship deeply embedded in religious lore. The Airavateswara Temple in Darasuram stands as a testament to the artistic brilliance of the Chola dynasty. Its intricate sculptures, unique architectural features, and rich history make it an essential destination for anyone interested in Indian art and culture. A visit to this temple is not merely an exploration of architecture; it is an immersion into a world where stone tells stories and art transcends time.

How does it compare with the Big Temple and Gangai Konda Cholapuram? I feel this temple is epitome of Chola artistry. They reached a peak with the construction of this temple. Having visited all 3, I can whole heartedly say that Darasuram is at the top of my list. I had a great time documenting the temple and the photos don’t do enough justice, in my opinion, to the grandeur and artistry of this magnificent edifice in stone.

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The Thirumohoor Kalamegaperumal Temple, located near Melur in the Madurai district of Tamil Nadu, is a significant Hindu temple dedicated to Lord Vishnu, revered here as Kalamega Perumal. This temple is one of the 108 Divya Desams, which are considered the holiest abodes of Vishnu, and it plays a crucial role in the spiritual and cultural landscape of the region.

I headed out there to meet an old friend and relative of mine. We reconnected after losing contact many years ago. It was a quaint place for a reunion I should say.

The temple is believed to have been constructed in the 7th century CE by the Pandya kings, with later enhancements made during the rule of the Madurai Nayaks. It is renowned for its rich architectural style, exemplifying Dravidian architecture with intricate carvings and towering gopurams (gateway towers) that are characteristic of South Indian temples.

We will look at some of the sculptures that I was drawn to at this temple.

My friend pointed out that one of the sculptures looked like a character from Hellboy! I definitely think so. I leave it to your imagination as to which one it is. :-)

I edited them on Capture One - my raw editor of choice. Its AI based masking tools are amazing. I was quickly able to isolate the sculptures and dodge the background to black. Amazing tool really!

The temple complex is encircled by a granite wall and features a prominent five-tiered rajagopuram. But what I was more enamoured by was the sculptures.

This one was spectacular in detail and it was amazing to see the work of the unknown artist who did this poetry in stone. So intricate!

I close this photo essay with this beautiful sculpture of a lady. Just look at the alluring posture!

If you have read this far, I have a request: give a listen to my Photo Country Podcast available on Substack or on Spotify. Its been featured on Feedspot’s Top 100 Photography Podcasts.

I certainly enjoyed capturing these lovely sculptures. I hope you enjoyed them too!

On to the next photography adventure!

Nestled in the heart of Madurai, the Thirumalai Nayakar Mahal stands as a remarkable example of architectural brilliance from the 17th century. Built by King Thirumalai Nayak in 1636, this palace is a stunning fusion of Dravidian, Islamic, and Rajput architectural styles, with notable European influences. Its intricate design and monumental pillars not only reflect the grandeur of its time but also tell the story of a rich cultural heritage.

I headed out there with a friends and family as the first stop in our visit back to my hometown. I had my Viltrox 20mm f2.8 affixed on the Sony A7C. I had bought this lens primarily for my India trip and this was my first outing with it.

The Nayakar Mahal with its huge pillars and grand vistas got my imagination rolling. I realised that it was a great place to try out black and whites and silhouettes.

The Pillars: Guardians of History

One of the most striking features of the Thirumalai Nayakar Mahal is its massive pillars. These pillars are not merely structural elements; they are monumental sculptures that embody the artistry and engineering prowess of the Nayak Dynasty. Standing approximately 80 feet tall and 20 feet wide, these pillars create an imposing presence that leaves visitors in awe. The sheer scale of these columns is such that it takes several adults to encircle just one pillar, emphasizing their grandeur and strength.

The palace originally boasted around 200 pillars, many of which line the expansive corridors connecting various sections of the palace. Each pillar is adorned with intricate carvings that showcase traditional motifs and designs, reflecting a blend of local craftsmanship and foreign influences brought in by European architects.

One thing I did notice was that the lens kept hunting for focus. I do realise that I have not updated the firmware on the lens and hopefully that will fix the issue. Nevertheless for the price point, the image quality that this tiny lens produces is nothing less than outstanding.

It was really sunny outside and the next thing I tried was a high key style photo. This image was intentionally overexposed for the hightlights, creating this burst of light in the centre offset by a visitor sitting in the corner. I really loved the way Capture One has rendered this image. With Capture One I have intentionally turned down the amount of editing that I do on an image and keep it as natural as possible.

Architectural Style: A Blend of Cultures

The architectural style of Thirumalai Nayakar Mahal is often described as Indo-Saracenic, characterized by its grand arches, domes, and intricate stuccowork. The central courtyard, measuring an impressive 42,000 square feet, is surrounded by high decorated arches that further enhance the palace's majestic appearance.

The influence of Islamic architecture is evident in the scalloped arches and ornate ceilings, while the robust structure reflects traditional Dravidian elements.The Sorgavilasam(Celestial Pavilion) within the palace is particularly noteworthy. It showcases a vast hall constructed entirely without rafters or girders, demonstrating advanced engineering techniques for its time. This pavilion serves as a focal point for visitors, drawing them into its historical significance and architectural beauty.

I particularly loved how Capture One’s Match Look works perfectly with recreating the same look across all my images. Worked perfectly every time! I did take a lot of images of the huge courtyard and the frescos on the ceiling. But that is not the focus of this essay. This is purely B&W and silhouettes.

Overall, a satisfactory first outing with my Viltrox lens. It has not left my camera at all, since the day it was mounted on it. Viltrox has a winner!

In Conclusion:

Today, Thirumalai Nayakar Mahal remains a symbol of Madurai's rich history and architectural heritage. Despite facing challenges over centuries—including partial demolitions by later rulers—the palace has been partially restored to preserve its grandeur for future generations.

As you explore this magnificent palace through black and white photography, each image captures not just the architectural details but also the essence of a bygone era. The interplay of light and shadow on the grand pillars and arches creates a timeless narrative that invites viewers to reflect on the artistry and history encapsulated within these walls.

Thirumalai Nayakar Mahal is more than just a historical site; it is a living testament to the artistic achievements and cultural amalgamation that define Madurai. Its majestic pillars stand as silent witnesses to centuries of history, inviting all who visit to appreciate their beauty and significance.

I hope you enjoyed this photo essay. Follow me on Instagram and make sure to follow me on Substack as well for my latest and greatest podcast episodes.

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One such set are landscape shots captured around the country. Especially, from the South Island. In my opinion, South Island has lots to give to the landscape photographer.

https://store.photocountry.co/albums/288733-landscapes-of-new-zealand

https://store.photocountry.co/images/021526398-southern-alps-mountain-range-near-glenorchy-new-zealand

Image on the left | Image on the right

Once at Lake Tekapo, we headed out on a drive early morning to see the fall views. We encountered some surreal landscapes straight out of the movies. The fall colours on the desolate landscape was breathtaking.

https://store.photocountry.co/images/021540182-lake-tekapo-new-zealand

Lake Tekapo, known in Māori as Takapō, is a stunning highland lake located in the Mackenzie Basin of New Zealand's South Island. It is renowned for its striking turquoise colour, which results from glacial silt suspended in the water, and is part of a UNESCO Dark Sky Reserve, making it an exceptional destination for stargazing.

We did not have much luck with stargazing, but we did catch this group of friends enjoying the crisp fall sunrise that morning.

https://store.photocountry.co/images/021540185-lake-pukaki-canterbury-district-new-zealand

Lake Pukaki is a stunning alpine lake located in the Mackenzie Basin on New Zealand's South Island. It is renowned for its vibrant turquoise blue color, which is attributed to glacial flour—extremely fine rock particles suspended in the water, resulting from glacial activity. This lake is the largest of three parallel lakes in the area, the others being Lakes Tekapo and Ōhau, all formed by glacial moraines blocking their respective valleys.

This was one of the best shots that I got out of that trip. We stopped by the roadside and captured this panoramic view of the majestic Pukaki.

Image on the left | Image on the right

We took a detour and went to the Omarama Clay Cliffs. These cliffs are a striking geological formation located near the town of Omarama. These cliffs are renowned for their tall pinnacles and narrow ravines, which have been shaped by natural processes over millions of years.

https://store.photocountry.co/albums/288733-landscapes-of-new-zealand

I close this photo essay, with a shot of this small pond that we encountered on the way to Queenstown. This is just outside the town of Cromwell. It was a picturesque site with this pond ringed by these trees in beautiful shades of yellow and green.

All of these beautiful memories can be found on my store / portfolio. The best way to support my photography as I continue to try and capture images around the world is to buy one of my prints!

Thanks for reading this Photo Essay. I look forward to your feedback. You can subscribe to Photocountry and get on the chat to share your views.

We headed out to Sunset Beach this weekend. It had been a while that Niloyd and I had gone out on a photo walk. So, it was a good to get back on the photo trail.

Sunset beach is located at Port Waikato. And this location has quite a bit of history attached to it. The area was first settled by Māori from the Tainui waka 700-800 years ago, who used the river for transportation, trade, and as a source of sustenance.

In the 19th century, Port Waikato gained importance during the New Zealand Wars. It was established as one of the first colonial settlements after the wars, starting in 1863. The port served as a crucial link for coastal trade, with ships traveling between Auckland's Manukau Harbour and Waikato Heads for nearly a century from the 1860s.

Today, the beach has been majorly affected by erosion and many houses are on the verge of collapsing into the sands below the sand dunes. Its desolate, windswept and ideal location if you are a photographer looking for a classic, windswept kiwi beach look.

For me, it was a chance to practice my long exposure using the ancient volcanic rocks on the beach.

It was so windy that it knocked over my tripod with the camera on it, while I was struggling to get the ND filters out. Phew! it was a close call, I tell you.

After many attempts this was the best composition that I could come up with.

• 30 second exposure

• K & F 3 stop ND filter

• F11 on Cosina 19-35 / Sony A7C

Meanwhile, Niloyd had disappeared to the other end of the beach, right at the river head where the mighty Waikato meets the sea.

The desolation of this place has to be seen to be believed. It is just amazing. Here is one shot that took my breathe away. I processed this on Capture One with a bit of split tone effect on it.

As I started walking towards the northern point of the beach, I saw a man and his dog walking towards me in the distance. I am a sucker for negative space. So, I had to take this shot.

So, talking about erosion, I stumbled upon a house that is in danger of losing the land that it is standing on to erosion.

My favourite shot of the lot was of a section of the sand dune. I processed it as a fine art black and white photographer and I just love it!

I decided to clamber up on to the sand dunes. The sand was so soft that my feet kept sinking it and I was making no progress at all. Finally managed to reach the top and the view was spectacular. The yellowish grass holding the dune together against the blackish sand, set against an overcast sky was jaw droppingly amazing.

All in all, it paid to get up at 3.30 am to get to this location! Would definitely be coming again for sure!

These are available as prints or digital downloads on my online store -

https://store.photocountry.co/

Make sure to visit my store and get some prints. Your support is greatly appreciated.

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Lighting Up From Within:
A Conversation with Julian Mather

In the latest episode of the Photo Country Podcast, host Rajeev sits down with the versatile and inspiring Julian Mather. Renowned as a documentary filmmaker, motivational speaker, and former professional magician, Julian's journey is one of fascinating twists and turns. From an army sniper to a master storyteller, Julian's career has been a remarkable testament to the power of change and resilience. This blog post will explore the captivating insights shared during their conversation and delve into Julian’s philosophy on documentary filmmaking, storytelling, and motivating others.

Julian Mather: From Truant to Trusted Storyteller

Starting from a rough-and-tumble school experience, Julian Mather’s entry into the world of storytelling was unconventional. He candidly reflects on his truancy, not due to a lack of interest in learning, but a curriculum that did not resonate with him. His deep passion for photography led him to self-educate at the State Library in Brisbane. It was here that Julian realized the limitations of his hometown and sought out the broader horizons that the army offered.

Life in the Army and Beyond

Julian's journey took him through many roles, including being an army sniper—a role that would later shape his career in filmmaking. Always more interested in movie-making than military maneuvers, Julian eventually transitioned from the rigors of army life to the colorful world of photography and filmmaking. His vast experience at the Australian Broadcasting Corporation (ABC) gave him the tools to tell stories with depth and emotion, eventually leading him to what he calls "the second best job in the world."

Documentary Filmmaking: Craft and Compromise

Throughout the conversation, Julian imparts valuable lessons regarding the art of documentary filmmaking. He discusses the intricacies of capturing authentic stories, often with minimal crew, and emphasizes the importance of trust between the filmmaker and the subject. Julian shares fascinating behind-the-scenes anecdotes, such as navigating gear changes in the field with 16mm film cameras. His storytelling method underscores the delicate balance between planning and spontaneity in capturing real-life moments.

The Art of Storytelling and Motivational Speaking

Julian Mather's journey from behind the camera to the front of the stage as a motivational speaker was both accidental and intentional. Influenced by decades of observing powerful narratives, Julian learned the importance of holding an audience’s attention and guiding them through a story. His insights into the inclusive art of storytelling highlight its innate power to influence and inspire positive change—a skill he now uses to motivate businesses and individuals to embrace transformation.

Conclusion: Trust, Adaptability, and Persistence

Julian’s story is one of perseverance, adaptability, and an unwavering commitment to personal growth. For those looking to break into documentary filmmaking or any creative pursuit, Julian emphasizes the need to fall in love with the process, embrace the zig-zag path to success, and build strong networks. His experience stands as a testament to what can be achieved with determination and openness to change.

Join the Conversation

To delve deeper into Julian Mather’s incredible journey and hear all his stories firsthand, tune into Episode 56 of the Photo Country Podcast. Don’t miss the opportunity to learn from this extraordinary storyteller and be inspired by his insights. Get in touch with Julian Mather - www.julianmather.com

Stay tuned for our next episode, where we’ll talk to renowned photographer Matt Jacob. Till then, keep clicking!

If you're a photographer, you've probably felt it at some point: the feeling that no one cares about your work. You spend hours taking photos, editing them, and sharing them online, but you only get a handful of likes and comments. It's enough to make you want to give up altogether.

But don't worry, you're not alone. Many photographers feel the same way every day. And there are a few reasons for that.

I was inspired to write this article after seeing this video from Sean Tucker.

In this video, he puts forward an interesting hypothesis. He posits that most of the photographers who react to photos on social media are beginners. So, sometimes photos that you might consider simple will get loads of attention and photos that are more nuanced might not gather any attention at all. This is not to say your photos are bad. They simply might be too grown up for beginner photographers.

So, just because your photos don't get any likes or comments, it doesn't mean that they are bad! Another photographer, Simon Baxter, who specializes in woodland photography agrees. It is a reflection of your growth as a photographer.

Couple of things that have worked for me lately:

Take photos for you and for no one else:

I have long felt like an imposter and always felt the need for external validation, constantly checking on the likes and follow. Social media is a trap, forcing your work into a pattern. So, I realised, I need to create art that I wanted to do. If folks like it, so be it. If they don’t, it’s fine as well! Eventually, there will be someone who will like it.

Expand your horizons:

Initially, I started off like everyone else, photographing sunrises and sunsets on the beaches of Auckland. Don’t get me wrong, there is nothing wrong with it! I still do the occasional sunrise or sunset. But I wanted to do more, and get into other genres as well.

Shoot with Intent

Currently, I am on a mission to learn table top photography - everything that I can learn about shooting still life and products. What I find is works, take a simple subject, and experiment with camera angles, light position and intensity, blocking and reflecting light. Essentially tweak everything that is under your control and see how it affects the end result. It has been really interesting to see just small changes can result in transformative changes in the end result.

Photography is a personal journey and more often than not it is a solitary exercise. Sometimes it is very therapeutic just doing the exercise of shooting a couple of tomatoes!

You can only connect the dots in hindsight. Photography has been an unexpected accident in my life and it has give me so much. It was what lead me into podcasting and has opened up so many other opportunities as well.

And that my friends, is why I should care about my photography. :)

Chasing Light and Adventure with Vivek Chugh

Welcome to a behind-the-scenes look at Episode 55 of the Photo Country podcast, where host Rajeev Nedumaran dives deep into the world of photography with the talented Vivek Chugh, affectionately known as VC. This episode is filled with insights into Vivek's photographic journey, his philosophy on gear, and tales of his adventures that span from the desolate landscapes of Rajasthan to the remote corners of Scotland. Whether you're an aspiring photographer or a seasoned pro, Vivek's wisdom and stories are sure to inspire you.

The Philosophy on Gear

One of the standout moments from the podcast is Vivek's take on photographic equipment, illustrating that having the latest gear isn't the most crucial element of photography:

"It's got nothing to do with gear. Of course, gear will aid you... But if you don't have that vision to begin with, then no amount of camera gear is going to help you with anything," - Vivek Chugh.

He emphasizes that a photographer's vision should always come first; gear is merely a tool to bring that vision to life. Vivek prefers simplifying his gear, using equipment that has been with him for years. He states,

"I actually don't believe in buying new cameras. I'd rather have somebody else take the hit."

This philosophy challenges the rising obsession with constantly upgrading to the latest technology, urging photographers to focus on their art and skills instead.

Journey into Photography

Vivek's journey into photography began somewhat serendipitously. An initial spark was ignited by a friend's captivating landscape shots of Kerala. Vivek recalls,

"I decided to go for a four-day course in photography... It was a film Nikon f100, as borrowed from my then girlfriend’s dad, and that's where it started."

From borrowing cameras to ultimately owning his own gear, Vivek's journey underscores the importance of passion and persistence in mastering the craft.

The Appeal of Landscape Photography

Landscapes hold a special place in Vivek's heart. He explains,

"I enjoy landscapes the most because you're out in the open, there's not much noise anywhere."

For Vivek, landscape photography ties into his love for nature and solitude, offering a calming escape from the hustle and bustle. He recounts memorable trips such as his solo venture to Rajasthan's sand dunes and an adventurous trek to Isle of Skye in Scotland. These trips are not merely about capturing beautiful images but about experiencing the essence of these magnificent locations.

Filmmaking and Professional Choices

Vivek's foray into filmmaking and commercial photography was nuanced. He shares how the transition from photography to filmmaking was relatively smooth due to the overlapping principles between the two mediums:

"Because I had this background in photography, film became slightly easier because the medium is similar. It's a visual art form."

However, Vivek underscores the operational challenges with filmmaking and his preference for the relative simplicity of photography. Although he tried his hand at commercial photography, he ultimately prefers keeping his art as a passionate pursuit rather than a professional necessity.

Valuable Advice for Aspiring Photographers

Vivek offers some sage advice to those looking to delve into photography:

"Practice often. Just shoot... a thousand images a week, and the more images you shoot, the better you will get at it."

Emphasizing the necessity of perseverance, he advises not to give up even when the going gets tough. It's through relentless practice and pushing through initial failures that one can achieve true mastery.

Conclusion

This engaging episode of the Photo Country podcast sheds light on the intricate balance between art and gear, the profound impact of passion, and the joy found in nature and solitude. Vivek Chugh's journey and insights serve as a guiding light for photographers at all levels.

For those interested in seeing more of Vivek’s work, make sure to follow him on Instagram and check out Rajeev's Substack, where he will be sharing some of Vivek’s captivating photographs. Stay inspired and keep clicking!

Final Note

Thanks for tuning into Episode 55 of the Photo Country podcast. Watch this space for more insightful conversations and don't forget to share your thoughts on Substack, Spotify, or wherever you get your podcasts. See you in the next episode. Until then, take care and keep clicking!

Show some love for Vivek’s photographs - https://www.instagram.com/vivekdchugh/

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A Journey from Biochemistry to Landscape Photography

Introduction

In episode 54 of our podcast, I had the pleasure of chatting with Kyle Goetsch, a remarkable landscape photographer from Cape Town, South Africa. Kyle's journey from a career in biochemistry to becoming a noted landscape photographer is as captivating as his photographs. Here, we delve into Kyle's experiences, his passion for the wilderness, and what it takes to capture the stunning landscapes of Africa.

A Journey Begun in Biochemistry

Kyle Goetsch's story is anything but typical. With a PhD in biochemistry, Kyle initially embarked on a career in cardiovascular research.

However, his passion for photography was ignited when a friend invited him to shoot at an abandoned water park in Cape Town. This experience led him to purchase his first camera and start a journey that would take him from the lab to the wild landscapes of Africa.

The Shift to Full-Time Photography

Making the leap from a secure job in science to a somewhat unpredictable career in photography wasn't easy. Kyle detailed how he began juggling both roles, taking small photography jobs and workshops while still working in biochemistry. When his lab contract was not renewed, he decided to take the plunge into full-time photography. Despite the challenges, Kyle’s love for the craft kept him motivated.

“I used to struggle to get up for my 9 to 5 job, but now I have no problem getting up at 3am to hike up a mountain,” he reflects.

Capturing Iconic Landscapes in Unique Ways

Kyle’s work stands out for its unique perspectives on iconic African landscapes. One photograph that gained significant attention is his shot of the Milky Way over Lion’s Head in Cape Town. Kyle explains, “For me, the challenge is to combine my passion for landscape photography with other natural elements and show commonly visited places in ways people have never seen before.”

Beyond Wildlife: Embracing the Landscape

While most people associate African photography with wildlife, Kyle finds his true calling in landscapes.

These diverse landscapes offer endless opportunities for breathtaking shots, aligning perfectly with his passion and proximity.

Workshops and Teaching: Sharing the Passion

A significant part of Kyle’s professional life now involves running workshops and tours across Southern Africa. These sessions are not just about taking pictures but also about teaching techniques and fine-tuning skills. “I run about 12 or 13 workshops a year. They cover various topics from astrophotography to seascapes,” Kyle explains. The workshops are designed to accommodate everyone from beginners to professional photographers, focusing on both learning and capturing beautiful moments.

The Personal Touch: Building a Photography Community

One of the key aspects that distinguish Kyle’s workshops is the sense of community. With an impressive 80% repeat booking rate, these sessions do more than just educate—they build lasting relationships. Participants enjoy meeting like-minded individuals and sharing their love for photography.

“Many people have been coming on trips with me for five or six years and absolutely love it,” Kyle notes.

The Future: Evolving and Pushing Boundaries

Looking ahead, Kyle plans to keep his focus on Southern Africa, dedicating more time to explore new locations and retiring some older workshops. He also aims to integrate more wildlife photography into hissessions, maintaining his unique style of combining landscapes with wildlife.

"I'm constantly pushing my photography to the next level, always aiming to depict these iconic places in new and intriguing ways," he says.

Advice for Aspiring Landscape Photographers

For those looking to start their journey in landscape photography, especially in the wilds of Africa, Kyle's advice is simple but profound: invest in workshops.

“Going on a workshop, you just learn so much that you can't on YouTube. It shows you where you stand and what you're lacking. Your learning curve goes up exponentially,” he advises.

Conclusion

Kyle Goetsch’s journey from a biochemist to a landscape photographer is a testament to following your passion and taking risks. His dedication to capturing Africa’s beauty and sharing his knowledge through workshops has made him a respected figure in the photography community. Whether you're a budding photographer or a seasoned pro, Kyle’s story is sure to inspire you to see the world through a different lens.

Thank you so much for tuning into this enriching episode of photo country. And as always, don't forget to subscribe, rate and leave a review for our podcast. Your support helps us bring you more incredible stories from photographers around the world. Until next time, keep capturing those beautiful moments.

Kyle’s Instagram: kylegoetschphotography

Note on Magic Mind: the sponsor for this episode. Right now you have a limited time offer where you can get up to 48 percent off your first subscription or 20 percent off your one time purchase if you use the code RAJEEV20 and they ship internationally to 65 countries all across the world. Go to magicmind.co/photocountry to claim your discount.